RedLine’s current video exhibit New Red Order: Crimes Against Reality was recently featured on the front page of The Denver Post’s Life & Culture Section, which we’re still buzzing about.

Now, we’re grateful to discover Southwest Contemporary (SWC), a leading resource for contemporary arts and culture, also wrote about Crimes Against Reality in a recent article.

One of our favorite parts about the SWC write-up? Highlighting the fact that one video in the exhibition—Culture Capture: Crimes Against Reality—was recently on display at the acclaimed Museum of Modern Art in New York City!

“‘Culture Capture: Crimes Against Reality’ uses three-dimensional photogrammetry of two James Earle Fraser public sculptures to ‘repatriate Indigenous objects’ and comment on U.S. imperialism and the perpetuation of the historical violence against Indigenous people.”

— Southwest Contemporary

Crimes Against Reality examines the contradictions inherent in a society built on both the longing for Indigeneity and the violent erasure of Indigenous peoples, lands, and ways of life. New Red Order provocatively questions how these desires can be channeled into something productive, sustainable, and transformative.

Crimes Against Reality is a part of Denver Month of Video (.MOV), a city-wide video exhibition project founded by RedLine Resident Artist Jenna Maurice and Adán De La Garza.

Throughout the month of July, .MOV utilized a diverse range of venues to provide different access points for video-based work and establish Denver as a regular hub for cutting-edge video art.

New Red Order: Crimes Against Reality is on display at RedLine until August 27, 2023. See the video that was on display at the MoMA and the many other original, thought-provoking pieces in the exhibition today!